This, the first ever biography of Michael X, is subtitled "A Life In Black & White" and that proves true. Author John Williams is well known for INTO THE BADLANDS, his excellent overview of US crime fiction authors (republished and updated recently as BACK TO THE BADLANDS - I recommend it highly to anyone interested in American fiction's crime genre), and 3 Cardiff-based novels that uncover that city's secret history.
Doing research for those books has meant the late black radical Michael X pops up - living as he initially did in Cardiff's docks after leaving Trinidad. X appears regularly it seems in recent UK media - Joe Boyd's White Bicycles details hiring him to protect the hippie Roundhouse gigs from skinhead attacks while a silly UK bank heist film had him as a protagonist. Michael X has become a fictional figure of sorts - which makes sense as he constantly reinvented himself - and Williams has set out to uncover who the real man was beyond the hazy hippie memories and tabloid headlines. Well, it's a fascinating life story and very well written. Understandably as X's life often involved criminal activities of sorts this book reads somewhat like a crime thriller - what is going to happen next?
The Michael X story is a tragicomedy of the sixties. It’s the extraordinary, all but forgotten story of a hustler from Trinidad who conquered swinging London. Michael X was the man who knew everyone – from Muhammad Ali to Alexander Trocchi, Malcolm X to John Lennon, William Burroughs to Leonard Cohen. He was an extraordinary figure who became the public face of black Britain in the late '60s, before the media tired of him and he fell victim to the hustler's classic mistake - believing his own hype. He moved back to Trinidad, started a commune and dreamed of becoming his country’s President. Instead two dead bodies were found on his land and he was convicted of murder and hanged three years later, despite the best efforts of his celebrity supporters.
This biography expertly places Michael X in context. It evokes the many worlds he inhabited, both physical worlds - Trinidad in the '40s, Tiger Bay in the '50s, Notting Hill in the '60s - and cultural ones - emigrants, beatniks, revolutionaries.
The Michael X that emerges is not simply the black bogeyman familiar from the British press of the '60s, but a complex individual, full of contradictions: brash and insecure, funny and menacing, black and white, a trickster and as serious as your life. I must admit that Williams appears to empathise with X more than I felt necessary; he strikes me as your typical hustler, always avoiding working while looking for others to finance his dreams and uncaring of those who end up damaged/discarded. But this biography is no love letter - the author puts the life of a very flawed man on display and allows us to make our minds up.
What is most notable is just how different UK race relations now are and how more cynical and savvy as a society we are today - MX exploited the hippies and liberals because they wanted to have a cuddly black power icon. Yet the British state jailed him for inciting race hatred - which now appears a very trumped up charge, he was just sounding off, a blowhard, especially as Enoch Powell was never charged for his vile torrents of hate - and this seems to have sent MX off the edge. Many a 60s radical came a cropper in the early 70s and MX paid the highest price - hanged in Trinidad.
At the book's launch I met his lawyer who turned out to be friends with Charlie as he's a big rockabilly fan. What's that about six degrees of separation? A fine biography and an interesting history of a London now forever changed.
