How could I have forgotten this book, mentioned by Greil Marcus on the programme of 4th June? It's a highly (some might say surprisingly) readable account of the life of minstrel singer Emmett Miller, and explores the early roots of late 19th/early 20th Century American music - it's kind of a prequel to all those books that take jazz or blues as the start point for popular music.
Miller is described by Tosches as "one of the strangest and most stunning stylists ever to record ... the last mutant mongrel emanation of old and dead and dying styles, the first mutant mongrel emanation of a style far more reckless and free than the cool of scat." His yodelling scat style appears to have been a precursor to the likes of Jimmie Rodgers and Louis Armstrong.
One way it really succeeds is by not making any concession to political correctness so all the references to coon music and blatantly racist songs are set as the context for the likes of Miller being a 'missing link' between spirituals and country blues and jazz. The sharp change in racial sensibilities in the early 20s and the replacement of vaudeville with cinema (and, it has to be said, a bit of a predeliction for whiskey) killed off the career of Miller, but at the same time he and many other 'blackface' performers also seemed to get airbrushed out of American popular music history, and Tosches' book does a great job at seeking out these Dead Voices.
