I've heard the Balham Alligators mentioned in passing as both the band that launched the wonderful Geraint Watkins and were favourites of Charlie. But until BAYOU-DEGRADABLE (Proper) arrived yesterday i had never heard them. It's a double CD compilation and it seems the reason i had never heard them before is that only their 4th (and last) album Gateway To The South had previously been released on CD. And by then they were disintegrating. The sleeve notes are passionately written by someone (can't find a name) who was obviously a real fan. From them i get the impression that the BAs were a fine live band albeit a rather chaotic one - he tells stories of the band messing up big chances by getting drunk and committing various misdemeanours. The music on the CDs is often pretty fabulous, the band having that British gift of possessing a real feel for music from the US South. This time it being Louisiana Cajun, swamp pop and R&B. Whoever sings Bobby Charles' Tennessee Blues has a fine voice and the band play with subtlety and finesse throughout. They do rely on a lot of covers - which may be the reason they never got a major label deal. Or else they just sounded too rootsy and downhome in an age of indie and rap and house music. I think it's safe to say most users of this forum would enjoy the Balham Alligators.
I knew of Cymande through one tune - Brothers On The Slide - that often turns up on funk compilations. At some point I found out they were a British rather than US band. And I recall Mark Lamaar having them on his show a few years back - so suggesting they had reformed. But I'd never heard any of their albums before. Now Cherry Red has reissued all 3 - CYMANDE, SECOND TIME AROUND, PROMISED HEIGHTS - with extra tracks and lots of sleeve notes for a geek like me to savour.
Well, I must state that having not previously owned Cymande albums has been an oversight. They are magnificent! A 9-piece band made up of black British musicians from the West Indies and Africa who mixed reggae and soca rhythms with a love of tense funk, they really developed a very distinctive sound. And the songwriting is strong. I almost see them as older brothers to Errol Linton. And like Errol they were not valued in the UK. It appears that their first album did very well in the US and they developed quite a following there but were never very well known in the UK. Notes also suggest that the reunion did not really take hold and they may be trying for another reunion this year - anyone have any idea if they are playing about? Again, music I think that would find favour with most forumistas.