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Best soundtracks

Who recommends what, for the perfect record collection, including best guitar solos, African records and singers with gravelly voices
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21 posts • Page 1 of 2 • 1, 2

Best soundtracks

Postby MurkeyChris » Fri Oct 23, 2009 2:39 am

Prompted by Des's post on music and film, has best soundtracks been done yet? I'm thinking here about music written specifically for film, TV or theatre, rather than exisiting songs puts to good use.

A couple of favourites:

Image

Image

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Postby judith » Fri Oct 23, 2009 3:33 am

I thought Yann Tiersen wrote some beautiful stuff for the film, Amélie, like "La Valse d' Amélie". Oh, but then this thread is about the entire soundtrack.
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Postby Adam Blake » Fri Oct 23, 2009 11:52 am

Badly Drawn Boy's s/t for "About A Boy".
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Postby kk » Fri Oct 23, 2009 12:30 pm

all of Eleni Karaindrou's soundtracks

Philip Glass (although he wrote too many recently and has become a bit formulaic)

Tindersticks Trouble Every Day and Nenette Et Boni
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Postby Adam Blake » Fri Oct 23, 2009 1:23 pm

Bob Dylan's s/t for "Pat Garrett and Billy The Kid"

(kk, Eleni Karaindrou's s/t's are better than the movie in my experience!)

And, of course, the big daddy - Ennio Morricone for Sergio Leone's Spaghetti Westerns - what would they be without that music?
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Postby David Flower » Fri Oct 23, 2009 1:48 pm

even better Morricone - The Mission and Cinema Paradiso. Tearduct tuggers both

21 Grams had a great soundtrack

Atom Egoyan's The Sweet Hereafter
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Postby Dayna » Sat Oct 24, 2009 3:00 pm

Mission Impossible TV Theme. Haven't seen the movie.


The Godfather
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Postby judith » Mon Oct 26, 2009 7:37 pm

Another thread reminded me of a soundtrack I liked on a film directed by Percy Adlon, original music by Bob Telson.

Bagdad Cafe
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Postby Rob Hall » Mon Oct 26, 2009 7:53 pm

judith wrote:Another thread reminded me of a soundtrack I liked on a film directed by Percy Adlon, original music by Bob Telson.

Bagdad Cafe


A very odd film, even more so for the fact that it has Jack Palance in it. That song on the soundtrack is something else (well, the vocal performance is anyway):

[youtube]http://www.youtube.com/watch?v=UHkW0Cw5w94&feature=related[/youtube]
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Postby kevin » Mon Oct 26, 2009 9:14 pm

Michael Nyman - The Draughtsman's Contract. A perfect match.
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Postby kas » Mon Oct 26, 2009 11:22 pm

I love Bagdad Café. Jack Palance shines in it, a very quirky role, and he looks like he's really enjoying it.

My current soundtrack favourite (and film) is Pergolesi's Stabat Mater used in Denys Arcand's Jesus de Montreal. Brilliant combination.

[youtube]http://www.youtube.com/watch?v=u_Zi2pkTVfg[/youtube]

Around the same time that film came out Krysztof Kieslowski put out his film Double Life of Veronique (which some of you may find artsy fartsy, but never mind), that used the pseudo-classical soundtrack of Zbigniew Preisner rather well.
I liked the "Van den Budenmeyer" compositions enough to be disappointed when I found out that Preisner only wrote exactly the sequence used in the films, not the entire piece.
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Postby Des » Tue Oct 27, 2009 1:35 am

John Barry's music for 'Walkabout' is gorgeous.

Bernard Herrman's scores for 'North By Northwest' and 'Taxi Driver'.

Joe Hisaishi's dreamy music to Miyazaki's wonderful animes like 'Spirited Away' and 'My Neighbour Totoro'.

Agree with Adam and Kas re. Morricone and Preisner respectively.
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Postby Tom McPhillips » Tue Oct 27, 2009 2:15 am

Witness - Maurice Jarre -I've said it before - this is like a home movie for me - and it absolutely encapsulates this place.. the Amish, Moravian and Mennonite sects of Pennsylvania Dutchland...

The Last Picture Show - affected me deeply - loved the music

and just released here - an absolutely brilliant film with an equally brilliant soundtrack - Where the Wild Things Are --
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Postby Des » Tue Oct 27, 2009 12:35 pm

Ry Cooder's soundtrack to 'Paris, Texas'. Fab.
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Postby John Crosby » Tue Oct 27, 2009 4:46 pm

I'd agree with most of the choices above. Of, more, let's say, 'traditional musical' soundtracks, I'd go for 'Cabaret', closely followed by (the sublime) 'Koyaanisqatsi' and (the hilariously bad taste) 'The Producers' (the original one with Zero Mostel and Gene Wilder). All three changed film history in their own way.
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